Woke up to a
thin layer of fog
in a pack of Marlboros
w/a beer can shadow
& an unpaid electric bill
only to thread out later
in the blood shaped afternoon
all staggered & camera-ready
beneath scrap-iron windchimes
rattling in the eyes of the perfect stranger
Once you felt just that pure I know but time
chips away at your carbon footprint
while your dreams are nothing more than
a landing strip for seagulls
exhausted from hauling the
rusted sky up the coast
day after day these many years
while you keep score
like a true revolutionary
behind the wheel of an awkward
silence leaving skid marks on the
needle whenever you
drift past your favorite tune
like the moon in a puddle of
kool-aid on the beach
& I guess it’s that euphoric
drumroll the wet sand remembers best
where your heart’s
nothing but a ripple trail of maybe neon fading
against the incandescent haze
Sunday, May 30, 2010
Thursday, May 27, 2010
Smog Alert
More than a few
decompress
having several edges
garnished with feathers
& cracks in the pavement
luring you back
“The weather will change”
sapphire emerald ruby chrome
in the damp
embalmed
La Playa Negra
beneath the street
or in the sky
a thermal inversion
(your lips against the glass
smeared across
an 8x10 glossy
of the deep blue sea
decompress
having several edges
garnished with feathers
& cracks in the pavement
luring you back
“The weather will change”
sapphire emerald ruby chrome
in the damp
embalmed
La Playa Negra
beneath the street
or in the sky
a thermal inversion
(your lips against the glass
smeared across
an 8x10 glossy
of the deep blue sea
Tuesday, May 25, 2010
Huntington Beer Dance 77
Wrecked green shorebreak
throwdown rips & dreams
catching the grilled glass ripple
off the tide
the shadow of a rainstorm
twisting on the sand
I feel relentless, I said
meaning like a steam-driven guitar on the
darkside of the beach
coral blossom
seaweed
drifing sand
foam
broken glass
rust
sludge the offshore winds of time
gull wing & your acoustic alarm clock
Never underestimate the luminous dial, she said
as the credits scrolled down into the flickering green
neon
rain
throwdown rips & dreams
catching the grilled glass ripple
off the tide
the shadow of a rainstorm
twisting on the sand
I feel relentless, I said
meaning like a steam-driven guitar on the
darkside of the beach
coral blossom
seaweed
drifing sand
foam
broken glass
rust
sludge the offshore winds of time
gull wing & your acoustic alarm clock
Never underestimate the luminous dial, she said
as the credits scrolled down into the flickering green
neon
rain
Sunday, May 23, 2010
Zulu as Kono
As if you could ditch your own pale shadow
the way a snake sheds its skin like parking your
reflection in a tidepool mirror & walking away
down a deserted stretch of highway beneath
a cloud that wanders like a rust-colored palomino
eclipsing the drugstrore window the low ceiling & the
feeling this has happened before like timelapse blossoms
unwinding in your pinned eyes
but lost in a dream
say one that features Patti Smith, St. Augustine, & an orangutang
in a motel room outside of La Paz
the way a snake sheds its skin like parking your
reflection in a tidepool mirror & walking away
down a deserted stretch of highway beneath
a cloud that wanders like a rust-colored palomino
eclipsing the drugstrore window the low ceiling & the
feeling this has happened before like timelapse blossoms
unwinding in your pinned eyes
but lost in a dream
say one that features Patti Smith, St. Augustine, & an orangutang
in a motel room outside of La Paz
Thursday, May 20, 2010
To reconcile the distance & the time it takes
Cross Reference
Diesel sand
driven beneath the foam
Plus & Minus
I can trace the slow
dance within
the shadow palms like
the Mayan alphabet
random & damp
w/blue walls & a questionable
need for whatever
conspicuous sense of
balance bends the pavement
to its own inarticulate
desire
Time
It’s later than you think
but four hours earlier than that
in Samoa
Wednesday, May 19, 2010
The Measure
for Pamela
Out past the glass wall of thunder
in your veins
caressed by the half-forgotten shadow
of a palm tree
hauled away I guess too often
by the light & the waves
I mean the streets
& the disinclination
a realignment of
the flowers of Oaxaca
could tip the measure
when the sun is cut in two by the sea
& the Hollywooden pulse of
sunset recurring as in a loop with your eyes
like gulls wheeling above
a herd of nightshade appaloosas
the day that you were born
Out past the glass wall of thunder
in your veins
caressed by the half-forgotten shadow
of a palm tree
hauled away I guess too often
by the light & the waves
I mean the streets
& the disinclination
a realignment of
the flowers of Oaxaca
could tip the measure
when the sun is cut in two by the sea
& the Hollywooden pulse of
sunset recurring as in a loop with your eyes
like gulls wheeling above
a herd of nightshade appaloosas
the day that you were born
Monday, May 17, 2010
One moves slowly within
From this one diverted & later
the folds that stomp the hollow as if I
knew anything at all
meaning or not
wearing my sunglasses backwards
in faded neon w/surfboard dings
Early fog highlights the otherwise chronic
sky tilted like a concrete slab into the
unquiet sea, up-ended,
so that the day kicks from here no nowhere
in a flash of unreasonable intent
all day sometimes
if only to be the one who looks into your eyes
& lies to you
glowing in the dark
a dark like silver dissolved in a tidepool
quick tide / ocean eyes
above the he slanted pavement & palm trees
even long after we’ve gone
like the shadow of a wave that has yet to
break
as the voice-over in rainy esperanto evaporates
from the iridescent scartissue
of one last kiss
the folds that stomp the hollow as if I
knew anything at all
meaning or not
wearing my sunglasses backwards
in faded neon w/surfboard dings
Early fog highlights the otherwise chronic
sky tilted like a concrete slab into the
unquiet sea, up-ended,
so that the day kicks from here no nowhere
in a flash of unreasonable intent
all day sometimes
if only to be the one who looks into your eyes
& lies to you
glowing in the dark
a dark like silver dissolved in a tidepool
quick tide / ocean eyes
above the he slanted pavement & palm trees
even long after we’ve gone
like the shadow of a wave that has yet to
break
as the voice-over in rainy esperanto evaporates
from the iridescent scartissue
of one last kiss
Saturday, May 15, 2010
The Movie Version
Staring straight into something entirely beyond
37 cups of coffee & the vicarious thrill
of sniffing the fumes off someone else’s menthol cigarette
and centuries later learning the sky is opaque
tending to lean a bit more towards the dark
picks up where you left off
page 112, second paragraph & the thought
that this personality defect could be parlayed
into an asset if you only had a sense of timing.
37 cups of coffee & the vicarious thrill
of sniffing the fumes off someone else’s menthol cigarette
and centuries later learning the sky is opaque
tending to lean a bit more towards the dark
picks up where you left off
page 112, second paragraph & the thought
that this personality defect could be parlayed
into an asset if you only had a sense of timing.
Banzai Run
Air Bubbles
It’s the year 1425, daybreak, at Mount St. Agnes
& you are writing a devotion entitled The Labyrinth of Kindness
Yes, the day is new & shiny like the bathroom fixtures at the
Lava Lounge in West Hollywood where tonight the Blue Hawaiians
tune up for the deeply sedated
snake-dancing across the linoleum to claim
their little packets of salvation, Jim, you know the old song
lest these portentous clouds part
You wear the avalanche & I sport a fashionable swamp disaster
It is monsoon season
Transition Ritual
The coast is clearing
your sorry rainbow bends
& the moment is too full of
tarnished spoons
strange birds
dogs
sharks
& windswept aimlessness
Night parting the white brick gesture
eucalyptus (a sound)
long silver interludes you empty & reuse on wet Sundays
waiting for the buzz to set in
Banzai Run
listening to Hawaiian Music by
Warne Marsh & Art Pepper circa 1957
in the Tiki Room off Pacific & Windward
Playa del Rey
& sippin’ at bells betwixt the nightingale riffs
of El Paradiso (no resistance whatsoever, dig)
& in my head there is this sound as of a basketball
being dribbled across the blacktop on a hot August night in 1969
& the moon was a tambourine
laying a little jingle-jangle upon those who would disregard true emotion
It’s the year 1425, daybreak, at Mount St. Agnes
& you are writing a devotion entitled The Labyrinth of Kindness
Yes, the day is new & shiny like the bathroom fixtures at the
Lava Lounge in West Hollywood where tonight the Blue Hawaiians
tune up for the deeply sedated
snake-dancing across the linoleum to claim
their little packets of salvation, Jim, you know the old song
lest these portentous clouds part
You wear the avalanche & I sport a fashionable swamp disaster
It is monsoon season
Transition Ritual
The coast is clearing
your sorry rainbow bends
& the moment is too full of
tarnished spoons
strange birds
dogs
sharks
& windswept aimlessness
Night parting the white brick gesture
eucalyptus (a sound)
long silver interludes you empty & reuse on wet Sundays
waiting for the buzz to set in
Banzai Run
listening to Hawaiian Music by
Warne Marsh & Art Pepper circa 1957
in the Tiki Room off Pacific & Windward
Playa del Rey
& sippin’ at bells betwixt the nightingale riffs
of El Paradiso (no resistance whatsoever, dig)
& in my head there is this sound as of a basketball
being dribbled across the blacktop on a hot August night in 1969
& the moon was a tambourine
laying a little jingle-jangle upon those who would disregard true emotion
Friday, May 14, 2010
29 Southpaws
Alexander the Great
Billy the Kid
Leonardo Da Vinci
Yogi Berra
Lenny Bruce
Julius Caesar
Charlie Chaplin
Napoleon Bonaparte
Marilyn Monroe
Sandy Koufax
John Dillinger
Bob Dylan
Jack the Ripper
Michaelangelo
W.C. Fields
Albrecht Durer
Albert Einstein
Kim Novak
Eugene Opstedal
Cary Grant
Jimi Hendrix
Pablo Picasso
Pamela Dewey
Steve McQueen
Harpo Marx
Babe Ruth
Cleavon Little
Ludwig van Beethoven
Joan of Arc
Billy the Kid
Leonardo Da Vinci
Yogi Berra
Lenny Bruce
Julius Caesar
Charlie Chaplin
Napoleon Bonaparte
Marilyn Monroe
Sandy Koufax
John Dillinger
Bob Dylan
Jack the Ripper
Michaelangelo
W.C. Fields
Albrecht Durer
Albert Einstein
Kim Novak
Eugene Opstedal
Cary Grant
Jimi Hendrix
Pablo Picasso
Pamela Dewey
Steve McQueen
Harpo Marx
Babe Ruth
Cleavon Little
Ludwig van Beethoven
Joan of Arc
Thursday, May 13, 2010
Surf Music Hall of Fame
Cooking with gasoline
I was back on the coast
juggling a set of 27 ginsu steak knives
feeling highly biodegradable
Winter was in the air but
not quite there yet
Silver hung in the balance & jade
& a rare shade of azure I'd like to pencil in here
alongside my heart
I saw you in yr reality
Insist on a hammer & then a
walk down the street a ways
The sky is the same with a couple dings in it
cloud
star
pelican
time warp
I'd transpose the obvious if I could
but my mind is like bone
High Tide at Zero Beach
What I hear isn't just water but sand
& rocks, wind & a low-frequency buzz
I figure comes from a shark's brain
because sharks never sleep
& their brains have been known to flutter
like butterfly wings
450 Mile Bus Trip
The passage a bridge
from one to an-
other
& in that transfer the
broken syntax
& a final exit in
Odessa fucking Texas
as it was given him
A tough-ass place
for a tough-ass one-
eyed son-of-a-bitch
poet
or else that grace to
be relinquished & why
not lift a shot to-
night
throw down a few
against the darkness
for love
from one to an-
other
& in that transfer the
broken syntax
& a final exit in
Odessa fucking Texas
as it was given him
A tough-ass place
for a tough-ass one-
eyed son-of-a-bitch
poet
or else that grace to
be relinquished & why
not lift a shot to-
night
throw down a few
against the darkness
for love
Anthem
Each wave’s black as a field of dahlias
w/a wicked drop reflected
back thru silver bells & whistles
in D minor
carved white marble inside
like dawn’s early light
w/a wicked drop reflected
back thru silver bells & whistles
in D minor
carved white marble inside
like dawn’s early light
He Wanted To Know The Names
Naomi Shakewell Loretta Spank
Dean Purple Muriel Nitrate
Beverly Drive Bikini Sunset
Lefty Heyerdahl Ape Jackson
DiDi Lupus Jim Scatter
Nadine Lapdance Frenchy Gomez
Leon Tidewater Traci Bungalow
Little Joe Bloom Torn Clipjoint
Sally Parkinglot Benny Earle
Tyrone Nod Yolanda Pipeline
alternates:
Jenny Toothpaste
Europe Johnson
Jimmy Catullus
Dean Purple Muriel Nitrate
Beverly Drive Bikini Sunset
Lefty Heyerdahl Ape Jackson
DiDi Lupus Jim Scatter
Nadine Lapdance Frenchy Gomez
Leon Tidewater Traci Bungalow
Little Joe Bloom Torn Clipjoint
Sally Parkinglot Benny Earle
Tyrone Nod Yolanda Pipeline
alternates:
Jenny Toothpaste
Europe Johnson
Jimmy Catullus
Sunday, May 9, 2010
To exhaust the delicate narcotic of our perforated resolve
Leaning into it
The ocean breeze makes a sound
like an albatross
hanging from the neck
of a harpsicord
The ocean is dark like the blood of fuchsias
If you’re in the right spot at the right time
the sunlight shimmers on the waves like
the face of an unknown god who
speaks only the language of gulls
Lights on the pier as the fog rolls in
At the mercy of accelerations
& the vicarious hips of parking lots near the sea
Beneath the camouflage palms
My eyes like pins
stuck into a pair of voodoo RayBans
Saturday, May 8, 2010
Down to the Gold
distilled from a conversation w/F.A. Nettelbeck
A friend from the old days
Got his number a few years back
called & his (new) old lady answers
― “Where’s he at?”
― “Surfing in Peru”
or some shit didn’t get to talk to him lost the number
Lost out skin-popping Ripple & those sentences we shared
when Hermosa Beach was blue sky titty
He said “It don’t GET no better than this”
Well, he was wrong
cocksucker
Give me back my hat
A friend from the old days
Got his number a few years back
called & his (new) old lady answers
― “Where’s he at?”
― “Surfing in Peru”
or some shit didn’t get to talk to him lost the number
Lost out skin-popping Ripple & those sentences we shared
when Hermosa Beach was blue sky titty
He said “It don’t GET no better than this”
Well, he was wrong
cocksucker
Give me back my hat
Friday, May 7, 2010
A Wave With No Name
To be conversant w/the tides
as the requisite desire
sense of motion
Love in her silken armor
as light as dark-
ness
The voice-over could be wrong
in its spiral (downward)
carved from an apparition speaking thusly
A heart that is no longer in compliance with
the regulatory guidelines
as the wind is
in time (with us)
That place we have gone to
going to as well
a bird then as punctuation
to be told in three shapes
its substance & accumulations
& this is light to shed
Desire is its homage
as the requisite desire
sense of motion
Love in her silken armor
as light as dark-
ness
The voice-over could be wrong
in its spiral (downward)
carved from an apparition speaking thusly
A heart that is no longer in compliance with
the regulatory guidelines
as the wind is
in time (with us)
That place we have gone to
going to as well
a bird then as punctuation
to be told in three shapes
its substance & accumulations
& this is light to shed
Desire is its homage
Wednesday, May 5, 2010
The night I torched the lifeguard station
The sky fell over itself
tripped up by a cloud
or a guitar string
& I was staggering beneath that weight
like a leather bound volume of cracked concrete
buckling your knees
the long way across the sand
the silver shimmering out there in pieces you
can string together & wear on your wrist
a shadow among shadows
beneath a miniature bamboo umbrella
w/bruised knuckles & a book of matches
My heart all shattered by this & other things I’m
sure I’ve forgotten by now
the sting of euphoria
them dark stars these
ragged flowers
spell death in Cantonese
when no one’s looking
Reason enough for the Jesuit resolve
like haze to powder the dark beach sky
so given to cold
sapphire flames
tripped up by a cloud
or a guitar string
& I was staggering beneath that weight
like a leather bound volume of cracked concrete
buckling your knees
the long way across the sand
the silver shimmering out there in pieces you
can string together & wear on your wrist
a shadow among shadows
beneath a miniature bamboo umbrella
w/bruised knuckles & a book of matches
My heart all shattered by this & other things I’m
sure I’ve forgotten by now
the sting of euphoria
them dark stars these
ragged flowers
spell death in Cantonese
when no one’s looking
Reason enough for the Jesuit resolve
like haze to powder the dark beach sky
so given to cold
sapphire flames
Monday, May 3, 2010
Relentless Details
She had eyes like an oil spill
waiting to happen
& I was seriously considering alternatives
wearing my sunglasses backwards
before the LORD
in faded neon w/surfboard dings
a name & a word as she would lip-synch
the Moonlight Sonata & I’d nod
like a 14th century pope
ordering the taco plate at Las Palmas
as unto jewels a flame inscribed
where previous sunset in rust expended
a preconceived notion of fate
the off-rhyme & consequence her
breath denies yet
assumes the prototype can’t be
trusted anymore than these
black tar fingers
tapping on the lid of the tide
waiting to happen
& I was seriously considering alternatives
wearing my sunglasses backwards
before the LORD
in faded neon w/surfboard dings
a name & a word as she would lip-synch
the Moonlight Sonata & I’d nod
like a 14th century pope
ordering the taco plate at Las Palmas
as unto jewels a flame inscribed
where previous sunset in rust expended
a preconceived notion of fate
the off-rhyme & consequence her
breath denies yet
assumes the prototype can’t be
trusted anymore than these
black tar fingers
tapping on the lid of the tide
Sunday, May 2, 2010
Saturday, May 1, 2010
Correspondence
I was wearing a tombstone t-shirt
& a pair of graveyard shades
when I pulled in to the Dream
Diner outside of Barstow
The waitress showed some mileage
but poured a good cup of coffee
There were prairie oysters on the
menu & I asked her about them
“They’ll put lead in your pencil,”
she said,
“if you got anyone you
want to write to”
& a pair of graveyard shades
when I pulled in to the Dream
Diner outside of Barstow
The waitress showed some mileage
but poured a good cup of coffee
There were prairie oysters on the
menu & I asked her about them
“They’ll put lead in your pencil,”
she said,
“if you got anyone you
want to write to”
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