Saturday, November 26, 2011
Corruption
Monday, November 21, 2011
Beautiful nowhere & the green sledgehammer light
Tell me what it is & who it might resemble
so that I can learn to sleep through the
really important parts
assuming your reluctance is more like a made for TV sequel than
fog laying down
flat upon the water
on the darkest day of summer
in late November
lit up like a cigarette in front of a firing squad
which makes your Mexican silver seem even more perfectly timed
your wrists smelling of mud & eucalyptus
I thought of the bells ringing in your own private Tijuana
& what it might look like from a parking lot in Ventura
just before it rains
& everywhere you turn it’s going to be there too
no matter how you say it
The tide excavated by all the zeroes in hundreds of thousands of
millions of kalpas played in reverse & rattling
like the skeleton of a harmonica at three in the morning
which is why the sky tilts down into the sea every afternoon here
explains your moist eyes & camouflage lip-gloss
although I had to rename every blade of sand
from the jetty to the pier & back again
giving all that has been taken
as one untouched by tears might approximate
the lift & sway of palm trees
rocked by waves of nightshade turquoise
shattering the glass pages of a narcotic hymnal
you thought you knew by heart
so that I can learn to sleep through the
really important parts
assuming your reluctance is more like a made for TV sequel than
fog laying down
flat upon the water
on the darkest day of summer
in late November
lit up like a cigarette in front of a firing squad
which makes your Mexican silver seem even more perfectly timed
your wrists smelling of mud & eucalyptus
I thought of the bells ringing in your own private Tijuana
& what it might look like from a parking lot in Ventura
just before it rains
& everywhere you turn it’s going to be there too
no matter how you say it
The tide excavated by all the zeroes in hundreds of thousands of
millions of kalpas played in reverse & rattling
like the skeleton of a harmonica at three in the morning
which is why the sky tilts down into the sea every afternoon here
explains your moist eyes & camouflage lip-gloss
although I had to rename every blade of sand
from the jetty to the pier & back again
giving all that has been taken
as one untouched by tears might approximate
the lift & sway of palm trees
rocked by waves of nightshade turquoise
shattering the glass pages of a narcotic hymnal
you thought you knew by heart
Tuesday, November 15, 2011
Seismic Shift
An ounce of perfume in $300 shoes
Her swan song’s a real rocker
My heart, my beach, my wave, my
aimlessness
beneath the pinwheel sun
(Chumash petroglyph)
sand castle rotting seaweed sun swarm
tentacle
clawfoot foam debris
salt mist breath
hush
open & shut
A biblical haiku in an underwater theme park
& the god whose death he died
left coast
last coast a stillborn radiance
lost coast folded into the
irrevocable haze
Her swan song’s a real rocker
My heart, my beach, my wave, my
aimlessness
beneath the pinwheel sun
(Chumash petroglyph)
sand castle rotting seaweed sun swarm
tentacle
clawfoot foam debris
salt mist breath
hush
open & shut
A biblical haiku in an underwater theme park
& the god whose death he died
left coast
last coast a stillborn radiance
lost coast folded into the
irrevocable haze
Monday, November 7, 2011
To reconcile the distance & the time it takes
Shredding the opulent ocean air
she indicates the measure
of tide, of time, & the steps
that take you there & back again
riding in on her half-shell surfboard
a sea nymph I guess
she licks her green lips
with a silver tongue
as a million sunsets ripple in her eyes
lovingly soaked in gasoline
I still have the photograph
& the scars
& the silkscreened cover art
in full color
even black & white
with delicate rainshadow beadwork
so customized
except for the ritual
string of pearls
& the long tunnel out
she indicates the measure
of tide, of time, & the steps
that take you there & back again
riding in on her half-shell surfboard
a sea nymph I guess
she licks her green lips
with a silver tongue
as a million sunsets ripple in her eyes
lovingly soaked in gasoline
I still have the photograph
& the scars
& the silkscreened cover art
in full color
even black & white
with delicate rainshadow beadwork
so customized
except for the ritual
string of pearls
& the long tunnel out
Saturday, November 5, 2011
Fluid Tidal Tendencies
This one’s for the
bottle blonde with the suicide eyes
like what’s left when you drain the pool
bought out by Hollywood & Standard Oil
although the entire coastline still resembles
a Tijuana version of Chinatown
Will it still be here after eternity?
A man can play it that way for as long as
he can still unfold a map
or paddle out into the glassy
mid-tide sewage effluent
after a 3-day nocturne
littered with the leftovers
of some half-assed satanic
barbeque on the beach
assumes he can pick & choose his demons
Pale turquoise in the shallows gets
darker the farther out you go
bottle blonde with the suicide eyes
like what’s left when you drain the pool
bought out by Hollywood & Standard Oil
although the entire coastline still resembles
a Tijuana version of Chinatown
Will it still be here after eternity?
A man can play it that way for as long as
he can still unfold a map
or paddle out into the glassy
mid-tide sewage effluent
after a 3-day nocturne
littered with the leftovers
of some half-assed satanic
barbeque on the beach
assumes he can pick & choose his demons
Pale turquoise in the shallows gets
darker the farther out you go
Tuesday, November 1, 2011
Fro-Zen Pipes
Caught beneath a late Mexican sun
I should be halfway to some ecsatic
break in the action
blossoming like a bloody nose
How long before your chosen mirror
reflects that tender urgency
& reluctance
where smoke meets desire
if only from her pale insistence
who whispers in a cardiovascular language
the kind of thing you hear only when you’re not
listening
& any other voice responding
spoken, unspoken
hell, I don’t know
There’s something there that will never change
precariously altered by the telling
I should be halfway to some ecsatic
break in the action
blossoming like a bloody nose
How long before your chosen mirror
reflects that tender urgency
& reluctance
where smoke meets desire
if only from her pale insistence
who whispers in a cardiovascular language
the kind of thing you hear only when you’re not
listening
& any other voice responding
spoken, unspoken
hell, I don’t know
There’s something there that will never change
precariously altered by the telling
Subscribe to:
Posts (Atom)