I tripped over my first bloody nose
& landed here
49 years later
beneath a dark sky getting darker
clabbering up to rain
& I played that clawhammer ukulele
like a champ
just so you’d know what it feels like
confessing to crimes I knew
nothing about...
& you were like a brain surgeon
smuggling a pipe-bomb
into my most cherished memories
Wednesday, March 28, 2012
Saturday, March 24, 2012
The B-side of a once & future flashback
Sunlight spinning like a quarter on the sidewalk
It’s high noon or a minute after & I’ve
never seriously considered a
swan-dive into a spoonful of Drāno
but you never know…
Fear of failure? Why should we be afraid of failure?
We fail so often here & so gracefully
CLUNK / THUD / SPLAT
A Musical Interlude
East of the Sun (West of the Moon)
as it segues into
(I’d Like to Get You on a) Slow Boat to China
Encore: Expressway to Yr Skull
Roar splash gurgle crash
(a leftover drop of seawater in my ear
soundtrack to Moby-Dick imagining Ahab as a surfer
with a mess of clouds racing by overhead
as in a timelapse tableau punctuated by gulls & the
occasional airplane carrying a cargo of Ishmaels
all waiting in line to use the toilet
That was then / this is later
The nautical star tattooed on my right arm
was supposed to keep me from feeling so lost?
standing at the corner of Beach St & Wipeout Ave
near the latitude of Tacos Locos
under a clear blue sky that just won’t quit
It’s high noon or a minute after & I’ve
never seriously considered a
swan-dive into a spoonful of Drāno
but you never know…
Fear of failure? Why should we be afraid of failure?
We fail so often here & so gracefully
CLUNK / THUD / SPLAT
A Musical Interlude
East of the Sun (West of the Moon)
as it segues into
(I’d Like to Get You on a) Slow Boat to China
Encore: Expressway to Yr Skull
Roar splash gurgle crash
(a leftover drop of seawater in my ear
soundtrack to Moby-Dick imagining Ahab as a surfer
with a mess of clouds racing by overhead
as in a timelapse tableau punctuated by gulls & the
occasional airplane carrying a cargo of Ishmaels
all waiting in line to use the toilet
That was then / this is later
The nautical star tattooed on my right arm
was supposed to keep me from feeling so lost?
standing at the corner of Beach St & Wipeout Ave
near the latitude of Tacos Locos
under a clear blue sky that just won’t quit
Wednesday, March 21, 2012
Seismic shift with top-spin
Whatever happened to the Brahmin that
explained the proverbs to me?
name of Rimbaud?
The light remembers darkness
remembering you I guess
& the 16 vestal virgins
I never doubted
retracing the steps taken
brutally distracted, but never bored
spilling a glass of water
on the bottom of the sea
it means something the
way the tide swept you up & the light
& it makes you want to change your name
or the color of your hair
& out there you learn a different way to say it
a different way to walk the walk
right off the end of the pier
on St. Tarzan’s Day
explained the proverbs to me?
name of Rimbaud?
The light remembers darkness
remembering you I guess
& the 16 vestal virgins
I never doubted
retracing the steps taken
brutally distracted, but never bored
spilling a glass of water
on the bottom of the sea
it means something the
way the tide swept you up & the light
& it makes you want to change your name
or the color of your hair
& out there you learn a different way to say it
a different way to walk the walk
right off the end of the pier
on St. Tarzan’s Day
Sunday, March 18, 2012
Don’t You Want To Forget Someone Too
The moon falls on California & wakes you up…
A tourist from Sacramento just got shot out in Beach Flats
but you don’t know that yet
you don’t even know what time it is
because you’re halfway through a dream of swimming like
Leander on a moonless night & you’re just about to drown
& you’re wondering what that would feel like
but the moonlight crashing in through the window
wants to take you someplace else
although that doesn’t explain the dancing iguanas
& every footstep wing-flap fin-splash between here & Ocean St.
drifting, set to music, choreographed,
like a rail of Tibetan banjos
abandoned in a kelp grove
& the siren’s song is just the ambulance
racing down to Beach Flats but
you don’t know that as that piercing howl dissolves the iguanas
& the moon shifts just a fraction of an inch bending
shadows like iron bars across the bed
A tourist from Sacramento just got shot out in Beach Flats
but you don’t know that yet
you don’t even know what time it is
because you’re halfway through a dream of swimming like
Leander on a moonless night & you’re just about to drown
& you’re wondering what that would feel like
but the moonlight crashing in through the window
wants to take you someplace else
although that doesn’t explain the dancing iguanas
& every footstep wing-flap fin-splash between here & Ocean St.
drifting, set to music, choreographed,
like a rail of Tibetan banjos
abandoned in a kelp grove
& the siren’s song is just the ambulance
racing down to Beach Flats but
you don’t know that as that piercing howl dissolves the iguanas
& the moon shifts just a fraction of an inch bending
shadows like iron bars across the bed
Friday, March 16, 2012
I would not feel so all alone
It’s raining every where you look
& someplaces you never even thought of
looking
drizzle / drip / splash
I’ll take the leaky lifeboat
couldn’t afford the luxury liner anyway
SS Compassionate Wisdom, Ltd
PELAGIC SENTIMENTS
like damp footprints
My wetsuit stashed behind the seat
surfboard in the bed of the Ranchero
as I cruise down the coast looking for the shit
Windshield wipers slapping like a metronome
20,000 leagues under the sea
with Capt. Nemo & the Rhythm Rockers
ripping through a classic
surf instrumental version of
Rainy Day Women #12 & 35
& someplaces you never even thought of
looking
drizzle / drip / splash
I’ll take the leaky lifeboat
couldn’t afford the luxury liner anyway
SS Compassionate Wisdom, Ltd
PELAGIC SENTIMENTS
like damp footprints
My wetsuit stashed behind the seat
surfboard in the bed of the Ranchero
as I cruise down the coast looking for the shit
Windshield wipers slapping like a metronome
20,000 leagues under the sea
with Capt. Nemo & the Rhythm Rockers
ripping through a classic
surf instrumental version of
Rainy Day Women #12 & 35
Sunday, March 11, 2012
Beachniks on the Veranda
The ocean breeze sounds like a
cross between a cello & a harmonica
played through a diesel engine
rumbling down a lonely stretch of the
coast highway on the next-to-last
day of summer
& you’re riding shotgun
or maybe it was me
getting all Proustian about bamboo windchimes
& the sunlight hitting the beach at a
45 degree angle
just another notch in the pavement
for the japanese mariachi drill team
that sets the tempo here
“It’s all about the music”
even when it isn’t
although I’m not really listening
as the sun flares out like a feather of excess acetylene
& you do your little grind for me
cross between a cello & a harmonica
played through a diesel engine
rumbling down a lonely stretch of the
coast highway on the next-to-last
day of summer
& you’re riding shotgun
or maybe it was me
getting all Proustian about bamboo windchimes
& the sunlight hitting the beach at a
45 degree angle
just another notch in the pavement
for the japanese mariachi drill team
that sets the tempo here
“It’s all about the music”
even when it isn’t
although I’m not really listening
as the sun flares out like a feather of excess acetylene
& you do your little grind for me
Thursday, March 8, 2012
Cocktails with Gravity Girl
I was swept away by the blue sparkle
where I learned to surf by candlelight
snap decisions broken in half by a misjudged floater
on the wrong side of the jetty
embalmed in sea mist & foam
like skid marks left by the sun
still visible above the horizon
& where we live it’s wall to wall ocean
like the flipside of a death wish
retracing the zig-zag path that runs from the
drop edge of a mild turquoise yonder
to the Mexican silver on your wrists
as I picture you now standing out at the edge of the
palisades
pretending you can see your reflection
in the polished blue mirror of the sky I guess
or contemplating something as soft & effortless
as a phantom pain
you never notice
until it’s gone
where I learned to surf by candlelight
snap decisions broken in half by a misjudged floater
on the wrong side of the jetty
embalmed in sea mist & foam
like skid marks left by the sun
still visible above the horizon
& where we live it’s wall to wall ocean
like the flipside of a death wish
retracing the zig-zag path that runs from the
drop edge of a mild turquoise yonder
to the Mexican silver on your wrists
as I picture you now standing out at the edge of the
palisades
pretending you can see your reflection
in the polished blue mirror of the sky I guess
or contemplating something as soft & effortless
as a phantom pain
you never notice
until it’s gone
Wednesday, March 7, 2012
Factory
Older Mexican production line worker says “Muy frio”
Yeah, it’s cold I say, pulling on my smock, hairnet & face-mask
I’m part of the sanitation crew sweeping, mopping,
swabbing out toilets
all under the watchful eye of what must be a million
surveillance cameras (“Always keep moving” the Filipino tells me
“they watch with the camera everything”) & the plant is vast
giant machinery roaring nonstop attended to by minions
in face-masks, hairnets, white or blue smocks
sycophants ministering the needs of clanging metal
Yes it’s muy frio outside but in here on catwalks above the
machines
the heat crushes whatever air is left in your lungs
it’s cooler in the cavernous aisles between pallets of supplies
20 feet high
where I push a dustmop across the concrete floor
with forklifts zipping around flashing their lights
& blasting air-horns
& I just keep moving inside the sweat & ache
as the sticky sweet stench of the candied vitamins that are
produced here
permeates the sinuses so that you’ll smell it & taste it
for days after you
say fuck it all & limp to your car without so much as an adios
the roar of the machines still ringing in your ears
Yeah, it’s cold I say, pulling on my smock, hairnet & face-mask
I’m part of the sanitation crew sweeping, mopping,
swabbing out toilets
all under the watchful eye of what must be a million
surveillance cameras (“Always keep moving” the Filipino tells me
“they watch with the camera everything”) & the plant is vast
giant machinery roaring nonstop attended to by minions
in face-masks, hairnets, white or blue smocks
sycophants ministering the needs of clanging metal
Yes it’s muy frio outside but in here on catwalks above the
machines
the heat crushes whatever air is left in your lungs
it’s cooler in the cavernous aisles between pallets of supplies
20 feet high
where I push a dustmop across the concrete floor
with forklifts zipping around flashing their lights
& blasting air-horns
& I just keep moving inside the sweat & ache
as the sticky sweet stench of the candied vitamins that are
produced here
permeates the sinuses so that you’ll smell it & taste it
for days after you
say fuck it all & limp to your car without so much as an adios
the roar of the machines still ringing in your ears
Sunday, March 4, 2012
Not To Be Sold East of the San Andreas Fault
I live in the nation known as the Pacific Coast
where the sky sometimes is like a polished spoon
& the tide rolls in to keep my eyes blue
even when I’m not thinking of you & the barefoot
palm trees are tweaking parked outside the
Apocalyptic Taqueria a block from the beach
where the ocean is rocking itself to sleep
& on a clear day you can see the Great Wall of China
ticking in the sun like a waterproof wristwatch
& you can count your blessings if you have any
or shut down in the neon haze that invades
the parking lot & changes the way you think about
moonlight rusting on the bottom of a rainpuddle
(for example) even when it hasn’t rained for a month
& the sidewalk is stained with the blood of fuchsias
& the light gets heavy thinking about it seagulls
crash & burn but the cameras keep rolling & you’re safe
behind dark glasses waiting for the fabric of time to unravel
like a Mars bar melting on the lid of your heart
where the sky sometimes is like a polished spoon
& the tide rolls in to keep my eyes blue
even when I’m not thinking of you & the barefoot
palm trees are tweaking parked outside the
Apocalyptic Taqueria a block from the beach
where the ocean is rocking itself to sleep
& on a clear day you can see the Great Wall of China
ticking in the sun like a waterproof wristwatch
& you can count your blessings if you have any
or shut down in the neon haze that invades
the parking lot & changes the way you think about
moonlight rusting on the bottom of a rainpuddle
(for example) even when it hasn’t rained for a month
& the sidewalk is stained with the blood of fuchsias
& the light gets heavy thinking about it seagulls
crash & burn but the cameras keep rolling & you’re safe
behind dark glasses waiting for the fabric of time to unravel
like a Mars bar melting on the lid of your heart
Thursday, March 1, 2012
To approximate the tone buried in whispers
“This morning I saw a coyote walking through the sagebrush
right at the very edge of the ocean ― next stop China. The coyote
was acting like he was in New Mexico or Wyoming, except that
there were whales passing below.”
― Richard Brautigan
tumbleweeds on the tideflats? Deer tracks
in wet sand
had to scrabble down the steep
arroyo to get to this beach
Nobody knows this is this is nowhere
disappears at high tide but there’s a sweet left breaking
off the reef
drumroll mists & shimmering sea-dazzle
voice of now whispering through you
wave pattern carved into every grain of sand here
& Coyote grabs his board & paddles out
right at the very edge of the ocean ― next stop China. The coyote
was acting like he was in New Mexico or Wyoming, except that
there were whales passing below.”
― Richard Brautigan
tumbleweeds on the tideflats? Deer tracks
in wet sand
had to scrabble down the steep
arroyo to get to this beach
Nobody knows this is this is nowhere
disappears at high tide but there’s a sweet left breaking
off the reef
drumroll mists & shimmering sea-dazzle
voice of now whispering through you
wave pattern carved into every grain of sand here
& Coyote grabs his board & paddles out
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